Production Innovations
We implemented a double cast for the two female lead roles, which required careful planning to ensure rehearsal time was split equitably. Our goal was to give each cast member equal attention for blocking, music, and stage presence, maintaining a balanced experience for everyone involved. This means coordinating not only with the director but also with the cast to ensure fair distribution of time for blocking, music, and scene work. Consistency between the two casts is crucial, so I meticulously track blocking, cues, and notes to ensure that both groups perform the same way. Additionally, I make it a priority to check in with the cast, creating a supportive environment where everyone feels valued and part of the team, regardless of which cast they are in. This careful balance ensures a smooth production where both casts can thrive and the show feels seamless, no matter who is on stage.
Double Casting
Learning how to call a musical for the first time is both thrilling and nerve-wracking. It’s a process that requires me to stay alert, focused, and organized while maintaining a strong line of communication with the entire team, especially the conductor. As I navigate the intricacies of timing and cues, I quickly learn that the conductor is my key collaborator in making sure the music and the stage action align perfectly. I spent hours studying the music, coordinating the precise moments when the orchestra and the cast come together, from musical entrances to scene transitions. I had to keep a sharp ear on the score, ensuring that I called cues at just the right moment while being flexible enough to adjust on the fly if something changes. This partnership with the conductor was essential—they’re not just guiding the musicians, but also helping me fine-tune the rhythm of the entire performance. The challenge lies in balancing the pacing of the music with the physical actions on stage, but with patience, constant communication, and a lot of practice, I begin to develop a deeper understanding of how every piece of the production fits together seamlessly.
Learning how to Call a Musical
My approach to stage management goes beyond just logistics and organization; I place a strong emphasis on mental preparation and fostering healthy habits for everyone involved. One practice I’ve integrated into my process is music therapy. By selecting specific styles and qualities of music, I aim to create a conducive atmosphere in the rehearsal space that enhances focus, mood, and creativity. This music sets the tone right from the moment the actors walk into the room. Depending on the day’s work list and the energy we need, I’ll adjust the music accordingly—whether it’s something upbeat and energizing to inspire movement and enthusiasm or something more calming to create a relaxed, focused environment. There are times when I’ll opt for natural sounds, like wildlife or nature-inspired tracks, to help bring a sense of peace and grounding. This mindful use of music helps the cast and crew mentally transition into rehearsal mode, allowing them to feel centered and ready to engage in the day’s work with clarity and intention. I have added our playlist below.
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